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PT ASIIS Indonesia makes Waves at Unlimited Fire Conference

PT ASIIS Indonesia makes Waves at Unlimited Fire Conference

PT ASIIS Indonesia makes Waves at Unlimited Fire Conference


Waves eMotion LV1 live mixer was selected by PT ASIIS Indonesia to handle the broadcast audio streaming for Unlimited Fire Conference – Power 2020. Located in Solo city, Surakarta, the Unlimited Fire Conference is an interdenominational youth network connecting various churches, businesses, governments and communities and seeks to build relationships and networks with youth leaders. The conference featured the Unlimited Fire band, consisting of five vocalists, four musicians, a pastor and two hosts. ASIIS was tasked with providing internet connectivity, a broadcast system, tracking and mixing for the band’s worship sessions.

“Our setup’s function is centred on direct-from-stage to the eMotion LV1 stageboxes,” explained production director/mixing engineer and owner and director of PT ASIIS Indonesia, Andy Mulya Sutikno. “We used two SoundStudio STG 2412 stageboxes for the stage, one STG-1608 for monitor mixing and an additional one for broadcast mixing, feeding our nearfield Amphion One18 monitors. When working with the SoundStudio stageboxes, we are able to get very clean and controlled high frequencies, solid and tight low frequencies, and warm yet articulated mid and mid-low – giving the hi-fi feel of a live mix. We supported the venue’s existing backline via a Waves SoundGrid network that connects the broadcast mixer with the monitor mixer – with gain sharing from the various stageboxes in the SoundGrid network.

“The whole conference was broken down into nine sessions that involved a chat, a music video, hosts, worship and sermon. The chat was recorded elsewhere, and I recorded and mixed the worship and sermon,” Sutikno furthered. “The music video was shot separately by the church. The church’s media team took the worship and pastor sessions that I mixed and then combined it with the other bits and streamed it. We used the eMotion LV1 for tracking and direct mastering for sermons that go direct to a multimedia team for video editing. So, we had materials that were recorded at the moment, together with materials to be sent direct, mixed and mastered, minus sound editing.”

Using Waves’ plug-ins is an integral part of Sutikno’s workflow: “I constantly used the Scheps Parallel Particles to optimise the bass sound, which originally lacks presence and tends to be too boomy, and EQing does not really help,” he said. “I used Waves’ Smack Attack and Torque plug-ins for kick and toms, since the acoustic drum kits tend to lack accurate tuning and they sound quite hollow. Additionally, I insert the F6 Floating-Band Dynamic on almost all channels. We like to do EQing and dynamic EQing all in one window. With most vocal microphones, the F6 helps to reduce the mid-low and low proximity effects by using dynamic EQ, especially when the singer suddenly gets too close to the mic; or alternatively, when they sing quite distant from the mic and the dynamic EQ processing does not trigger, the F6 ensures a full-bodied vocal. Overall, the Waves F6 helps the whole signal to glue together and create a balanced and pleasant vocal sound.”

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